räcket blir Sergels torg en panoptisk plats och en abstraktion. I think its about respect for each others practice and process, and a sense of humor and adventure. I feel that these conversations really impacted how this work is going. Each time I have to ask What is it I want to do? Carl Palm, (utställningstekniker cecilia Nygren (utställningsassistent hans Carlsson (assistent). ER: Yes, I was going to say that, that I worry about futility. So even my writing and my curatorial work are grounded in ideas about movement and movements. He is a trans activist and lawyer and he would rather die than wear a body suit in front of a bunch of strangers. Sense and Sense also became the gap between planned use and improvisation that I was most interested in for this project. She likes a challenge, and she will do difficult things.
Centraltvättstuga i Hökarängen i Stockholm.
Konsthallen är en icke-vinstdrivande verksamhet, organiserad som.
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I dont like to work with the spectacle and the boundaries of performance, or at least how people commonly refer to the term like something starting and ending. KE: There have been a lot of art projects around in which artists explore important historical social movements, collectives and people coming together in groups for a certain political struggle. ER: At some point I thought, perhaps it is about a very specific cultural moment, but later I changed my idea and looked broader and eventually included people like Adrian Piper and Ulrike Ottinger, and thinking about related practices, but not from my generation specifically. Its not like anybody could. The other element of that video is me thinking about representations of groups. KE: Social movement is key concept in your work, and your first video was even called Social Movement. Sense and Sense är Emilys Roysdons första utställning i Sverige.